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BAND-i-AMIR
The following account is extracted from preliminary drafts of Schettini's
memoir, The Novice.
“You are leaving,” said the hotel owner. “But you have
paid in advance.” He seemed disappointed.
“I’ll be back,” I said. “Mind
if I use my remaining days later?”
He shook his head from side to side in the Asian gesture of assent. “Not
at all. No problem.” He looked thoughtful for a moment and asked, “Where
you are going?”
“To Bamiyan,” I said.
“Ah! You should go also to Band-i-Amir. High
up in the mountains, beyond Bamiyan. Beautiful lakes in the desert.” He
smiled.
“Lakes in the desert in the mountains?” It
sounded like a riddle, but he gave no further clue,
“Go and see. You will be happy.”
The
lorry
was of typical Afghan design, painted colourfully and rimmed with lattice
and
wrought
iron, hardly suited to the track that soon became little more than
a watercourse – a spring runoff from the mountain snows. There was
no gravel, dirt or discernable road surface. One corner
of the vehicle rose precipitously while another sunk into a pothole, then
the
whole
leaned
sideways
and lurched into a depression. The driver rarely shifted up from first
gear, and never beyond second.
The almost complete lack of vegetation
was more than made up for by the spectacular play of light and shade on the desert
mountains. They rose and fell in sandy golds and distant blues that seemed
almost orchestrated. As we reached greater elevations, the turn of a corner
or rise of a hill revealed landscapes of unimaginable depth. the country
seemed to stretch forever into an empty vastness.
I spent a few days in Bamiyan recuperating
and exploring the massive buddhas carved into the cliff face before climbing
into another lorry for the ongoing trip with some new travelling companions.
We
had the rare luxury of being alone in the half empty lorry. We took pleasure
in
sitting
or
standing
as we pleased, but soon found that sitting wasn’t much of an option.
The road – wider, less pitted and rock-strewn than the narrow road
from Kabul – enabled us to maintain a good twenty-five miles an hour,
at which speed every rock or pit produced a spine-compressing thud that shot
from coccyx to skull and left the brain vibrating like a bell. We learned
to hang on to the overhead rail that in winter secured the tarpaulin cover,
and bent our knees to absorb the shocks. The Afghan desert climbed higher
and higher, and the space around us grew vast. More than once we raised our
hands to touch the sky.
Finally the driver stopped just before the brow of a
wide, softly rounded mountaintop,
and pointed straight ahead,
encouraging us to jump down. I got out first and immediately saw a single
yellow flower among the rocks. A few cacti were all that grew there, and
this had needles in place of leaves. But the flower was wide open like
a saucer and seemed too delicate for this rugged terrain. In an Alpine meadow
it would be insignificant, but here it stood out like a beacon.
I wandered off, a little disappointed by the endless
barren slopes in all directions. Behind me, the driver was shouting and waving
me
on.
I
strolled
over
to the brow
of
the
hill
and found myself
on the edge of a cliff, suddenly gazing into the most startlingly deep
blue
water I’d ever seen. Hundreds of feet below, in a huge hole sunk deep into
its surrounding vertical rock walls, it lay as still as the mountains it
reflected, its depth and colour utterly fantastic. I looked over my shoulders
at the driver who nodded sagely with his hands on his hips and a broad
grin on his face. I turned back to the lake
and stared into it, mesmerized. It appeared to be bottomless, but the stillness
was uncanny. I struggled to believe what I was seeing. As I went forward
I saw the whole vista of a series of lakes flowing over a series of natural
dams, running from higher to lower.
One by one, the others came to the rise of the hill and
stopped dead in their tracks. A shout from another side of the hill broke my
reverie, and I went
over to another lake that stood
above the valley floor like a dish of water discarded by an untidy giant.
Water
flowed over one edge, producing thick limestone overgrowths and suggesting
that minerals deposited by the water itself had formed the containing walls.
They rose improbably upward to hold back the immense weight of water.
We wandered the hilltop
until the honking of our driver called us back. Down in the valley, two large
white tents waited
to house us for the night. We were greeted deferentially. Inside, the rocky
ground was covered in layers of study Afghan rugs, where we sat and drank
tea. But only ten minutes later, we jumped up to go out again, and spent
the remaining daylight hours exploring.
Alongside one of the lakes was a long flat strip of stone,
a sort of natural pavement, and at one end of it we found a small hut, outside
which a ragged
old man grilled fish on a stick and offered them for sale. They were delicious.
The water was icy cold and the air was crisp and dry. The area was otherwise
deserted, and seemed like a remnant of Eden. We walked and gawked until
we were exhausted, slept like logs and gawked again the next morning.
By late afternoon, the same driver had returned with
another small load of tourists to take our places, and soon we stood on
the back of the lorry looking
backwards. I knew
that Band-i-Amir would remain a crystal clear memory for life.
By contrast, Bamiyan bazaar now seemed crowded and contrived.
I spent another ten days exploring the caves around the giant buddhas and the
surrounding
area,
telling
everyone I met
to go and see the lakes. Those who had visited them already could hardly
talk of anything else. I felt numbed by the overwhelming beauty I’d
seen, but saddened too, for there was nothing I could do with it. I couldn’t
take it with me. I was reluctant to leave Bamiyan, for I’d be leaving
my proximity to Band-I-Amir, which I’d probably never see again.
One morning, however, I crawled into the back of another
pick-up truck for the bone-jarring trip down to Kabul, which was at least a little
shorter
than it had been in the other direction. The city was grimy and noisy.
Back at the Golden Temple hotel in Kabul for a couple of days, I realised that
my
time in Afghanistan had come to an end,
and looked eastwards to the Khyber Pass and Pakistan.
© 2003 Stephen Schettini |
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ABDUL JAMIL SHAKIR
visiting his native Band-i-Amir in 2001
"I live in Kabul city and work with a mine clearance organization funded by the UN and other doners – the mine Detection and Dog Center (MDC).
We will have an Afghanistan free of landmines and unexploded ordinance. Human beings are like the organs of one body. If one part is in pain the other part will be in pain as well."
Abdul discovered my website in 2005.
—SS

EN ROUTE TO BAMIYAN
(© Luke Powell, 2003)
All following photos
© 2001-2,
Ian Alexander

AFGHAN LORRY

BAMIYAN
BUDDHA
Destroyed in 2001


BAND-i-AMIR LAKES
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